Nancy, one of my favorite podcasts, is doing a series on Queer Money Matters, and it’s gotten me thinking about how my queerness has affected my own financial well-being. Like my queerness itself, it’s all tangled up with other issues. Continue reading “How My Queerness Has Affected My Financial Well-Being”
Expect lots more listings to arrive before National Poetry Month begins in April. March’s reading listings are rather rich as it is. Thanks as always to Daniel Bouchard for compiling these listings. Feel free to comment with your own announcements below, or submit your event for listing on the Mass Poetry website.
Friday, March 1, 7 pm
Paula Bonnell, David Miller, Steve Rapp
The Old Manse
Sunday, March 3, 1 – 3:30 pm
Tony Brown and Dzvinia Orlowsky
Poetry: The Art Of Words
Plymouth Public Library/Otto Fehlow Room
132 South St
Monday, March 4, 8 pm
Mark Halliday and Adrian Blevins
Blacksmith House Poetry Series
56 Brattle St.
Last semester I wrote a craft annotation on the subject of poetic structure and nonlinear time. Now I can see that this is very much an element of lyric poetry. Where narrative poetry moves like a road, lyric poetry unfolds like a flower, spiraling out from a single image or moment into a flurry of associations and other moments.
In The Flexible Lyric, Ellen Bryant Voigt calls out compression and song as two characteristics of lyric poetry. Emily Dickinson’s poems feature both of these qualities prominently. Her poems have a basic pattern: quatrains with alternating iambic tetrameter and iambic trimeter lines. But the thing that set her apart from the dominant aesthetic of her time was the way she broke from the pattern. What her contemporaries might have called spasmodic, imperfectly rhymed, and lacking in form, we today consider a masterful interplay of meaning and music. Some of her poems adhered more closely to convention than others. Consider “Because I could not stop for Death” (poem 712):
Continue reading “Song and Compression in Emily Dickinson’s Poetry”
Annie Finch titled her 2013 volume of selected poems Spells for good reason. A Wiccan as well as a poet, she recognizes the power of incantation in creating an altered consciousness, a state in which a strongly held vision can move from the realm of possibility into reality. Not all of Finch’s poems are visionary or transformative in intention, but they do share a powerfully persuasive incantatory quality.
Finch relies on a number of poetic techniques to create these incantations, most notably repetition of words and phrases and the use of iambs—the thump-THUMP of a heartbeat that calls up instinctive memories of the womb. But her repertory far exceeds the basic iamb, as we see in “Elegy for My Father.” While the poem definitely meets the criteria of an elegy – it recounts the vigil at her father’s deathbed – its complex dactylic meter runs counterpoint to the somber subject matter. Lines alternate between pure dactylic tetrameter and dactylic trimeter with a final, stressed syllable at the end, as in this example:
February 1, also known as Candlemas, marks the halfway point between the Winter Solstice and the Spring Equinox. Attend a reading to light your way from winter to National Poetry Month in April. Thanks as always to Daniel Bouchard for compiling these listings.
Of special note: Regie Gibson Feb. 13 at the newly opened Bedlam Books in Worcester; Morgan Parker (one of my poetry crushes) Feb. 12 at Brookline Booksmith; Martha Collins Feb. 27 at Suffolk University; Gloria Mindock Feb. 28 at Rozzi Reads; Layli Long Soldier March 5 at Smith College.
Friday, February 1, 7 pm
Linda Lamenza and Francis Lunney, Open Mic
Workshop for Publishing Poets
West Suburban YMCA
276 Church Street
Friday, February 1, 7:30 pm
Unearthed Song & Poetry
Home.stead Bakery and Cafe
1448 Dorchester Ave.
Sunday, February 3, 1 -3:30 pm
Lisa Sullivan and Iain Haley Pollack
Poetry: The Art Of Words
Plymouth Public Library/Otto Fehlow Room
132 South St
February 3, 2 – 4 pm
Zvi A. Sesling
followed by open mic
50 Sewall Ave.
I’m reading next Thursday in Roslindale (a neighborhood of Boston). There’s parking nearby, it’s on the commuter rail, and it’s a ten-minute bus ride from the Forest Hills T stop. Hope you can come.
Rozzie Reads Poetry
Featuring Roslindale Women Poets and Open Mic
Phyllis Bluhm, Frances Donovan, and Mary Lou Maloney
Thursday January 24, 2019 7:00 pm to 9:00 pm
Roslindale House, Community Room, 120 Poplar Street, Roslindale, MA
Sponsored by Friends of the Roslindale Branch Library, a free event, contributions voluntary, refreshments provided. Parking on Hawthorne and Poplar streets, in unnumbered spaces, and at rear of building.
Phyllis Bluhm is primarily a painter who works in acrylics, oils, encaustics and also 3 dimensional assemblages. As a physician assistant she worked at Lemuel Shattuck Hospital and continues to work in Urgent Care at Harvard Vanguard. She started writing poetry over 40 years ago when getting her masters degree in Art Therapy in Louisville, Kentucky, where she honed her dancing skills and became a founding member of the Louisville Ethnic Dancers which continues to this day.
Frances Donovan is the author of the chapbook Mad Quick Hand of the Seashore. Publication credits include The Rumpus, Snapdragon, Marathon Literary Review, and The Writer. She is a certified poet educator with Mass Poetry and reads for Sugar House Review. She once drove a bulldozer in a GLBTQ+ Pride parade while wearing a bustier. You can find her climbing hills in Roslindale and online at www.gardenofwords.com.
Mary Lou Maloney is a poet and former lobbyist for The Arc of Massachusetts, an organization that represents people who are developmentally delayed. She has studied poetry under Barbara Helfgott Hyett and is a member of Poemworks: The Workshop for Publishing Poets. She received her undergraduate degree at Regis College and her Masters at Boston College. Her work has appeared in Constellations, Lit Break, Third Wednesday, and Front Porch. She currently resides in Roslindale.
Rather than resolutions, I prefer to set intentions. Time to take stock of my 2018 intentions and see how they played out.
I put this post-it note on my wall at the beginning of this year:
Intentions for 2018:
– Enjoy my third semester
– Enjoy my semester off
– Move downstairs
– Stay out of the hospital
– Get my PMP
– Take a week off to relax
– Stay sober
Overall I was able to fulfill these goals, if not always in the way that I desired. Continue reading “2018: The Year in Review”
I’ve been interviewing authors and poets on this website for quite some time, but having the opportunity to do so for The Rumpus really inspired me to up my game. I corresponded with Jennifer Martelli about her new book My Tarantella for about three weeks in order to have a true back-and-forth with her. The book spirals around the story of Kitty Genovese, a notorious murder that took place in the late 1960s, ostensibly while scores of people heard the attack and did nothing to come to her aid. I learned a lot I hadn’t known about Kitty, including the fact that she was a lesbian. Jennifer clued me in to a beautiful piece of theater and dance that tells the story of both Kitty and her lover, Mary Ann Zielonko.
My editor at The Rumpus also gave the interview a great headline–A Female, Bone-Deep Obsession: Talking with Jennifer Martelli.
even in good shoes
my achilles tendon aches
but I keep walking
Take some time away from the holiday swirl and listen to some poetry. Or break in the New Year the same way.
Please note that I am reading on Thursday, January 24, 2019 at Rozzi Reads in Roslindale Square, along with Phyllis Bluhm and Mary Lou Maloney. The reading starts at 7pm with an open mic to follow. Hope to see you there.
Friday, December 14, 7 pm
A Tribute to Claribel Alegria and other Salvadoran Poets
Readers: Lee Varon, Marguerite Bouvard, Doug Holder, Alexander Levering Kern, Dorothy Nelson, Jesse Diamond, Annie Pluto, Julia Carlson, Melissa Silva, Karen Friedland, Joy Martin, Kevin Bowen, Nelson Salazarand, and Gloria Mindock.
At The Arts for the Armory
Basement, Room B8
191 Highland Avenue
Friday, December 14, 7:30 pm
Jonathan Aibel, Ewa Hryniewicz-Yarbrough, and Ellen Steinbaum
Chapter and Verse Literary Reading Series
12 South Street