Come see me read at the Newton YMCA on Friday, August 3, 2018. My friends at PoemWorks: The Workshop for Publishing Poets have graciously invited me back. Open mic to follow the features.
POETRY READING and Open Mic
Friday, August 3, 2018, at 7:00 PM
West Suburban YMCA
276 Church Street
Newton, MA 02458
Join us for a poetry reading with Frances Donovan & Kenneth Lee, members of the Workshop for Publishing Poets, directed by Barbara Helfgott Hyett, followed by an Open Mic. For more information about the workshop, see www.poemworks.com & https://www.facebook.com/groups/poemworks/ Hosted by Richard Waring, firstname.lastname@example.org.
Frances Donovan is the author of the chapbook Mad Quick Hand of the Seashore (Reaching Press, 2018). Publication credits include Borderlands, Snapdragon, Marathon Literary Review, and The Writer. She curated the Poetry@Prose reading series in Arlington, Massachusetts, and has appeared as a featured reader at numerous venues in the Northeast. In 1998 she drove a bulldozer in a GLBT Pride parade. In 2018 she became a certified Poet Educator in Massachusetts. Find her online at www.gardenofwords.com and on Twitter @okelle.
Kenneth Lee is a pathologist at Brigham & Women’s Hospital. He is the author of four books of poetry. Ken will read from his latest, Late Revelations (2017), along with some new poems. He has published poems in many journals, most recently in Ibbetson Streetand The Aurorean.
A Note About the Venue: Please sign in at the front and provide a photo ID. Those who have already attended will be streamlined through. All are invited to help return chairs to the chair stands after the reading. Rest rooms are available down the hall, a handicapped ramp is beside the front door, parking in front & behind the gym as well as on Washington St. and most side streets nearby.
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National Poetry Month is April, the cruelest month according to T.S. Eliot. And I get where he’s coming from, especially in Boston, where lilacs may or may not be breeding out of the dead ground. This month, everything bloomed late because the Weather Gods decided to send us temps in the 40s for most of March and April, and then bust directly into summer on May 2 with a high of 87. I should be used to this by now, seeing as I’ve lived in Boston for 18 years. But California spoiled me in my toddler years, and on some level I’ll always mourn weeks and weeks of room-temperature weather. The temperamental temperatures affect my mood as well, leading to unpredictable amounts of spoons.
The good thing about National Poetry Month is also the bad thing about National Poetry Month: everyone is celebrating poetry. As anyone perusing the listings I post can see, Boston has a thriving po-scene. There are open mics and slams and performances and launch parties and panels and exclusive hoity-toity readings every week and twice on Sundays. In April the listings just explode. And those are just the ones I know about–I hear about other ones all the time that don’t make my list. And then there are the informal writing groups, as secret and desirable as lesbian potlucks.
Continue reading “On Celebrating National Poetry Month While Earning an MFA”
red-winged blackbird trills
over the muddy meadow
jet roars overhead
National Poetry Month continues at fever pitch. Updated listings below.
New in this posting:
Lainie Senechal, Neil Silberblatt and Anna M. Warrock in Somerville (4/17)
Matthew Dickman and Jenny Xie in Brookline (4/19)
Krysten Hill, Bruce Willard, Kathleen Hill and Michael Stein in Boston (4/23)
Tommy Pico, Joseph Osmundson, and Dorothea Lasky in Brookline (4/23)
The Writers Room of Boston Annual Reading in Jamaica Plain (4/26)
Newburyport Literary Festival (4/28)
Kevin McLellan book launch and reading in Cambridge (5/4)
Luljeta Lleshanaku in conversation with Ani Gjika in Brookline (5/4)
Beth Castrodale, Peter Cherches, Mark Saba, Julia Carlson, and Lee Varon in Cambridge (5/5)
Kevin McLellan, Steven Riel, Quintin Collins, Eileen Cleary in Cambridge (5/14)
Thursday, April 19, 7 pm
Tom Laaser and Joe Kebartas
and open mic
Midnight Voices sponsored by Veterans for Peace
Friends Service Center
5 Longfellow Park (across from Longfellow House)
Thursday, April 19, 7 pm
Ellendra Proffer Teasley
Grolier Poetry Book Shop
Continue reading “UPDATED Boston Area Readings for April and May 2018”
An issue I’ve struggled with time and again is how to incorporate multiple scenes in a single poem while still maintaining unity and clarity. Dividing a poem into separate sections with roman numerals or asterisks may work, but not all poems are long enough to justify multiple parts, nor does this method evoke the seamless way a particular sense perception or situation can trigger associations with another time and place. Proust and his madeleine are a famous example: the taste of a cookie kicks off the epic, multi-volume novel Recherche du Temps Perdu (Remembrance of Things Past). Few modern poets have the luxury of such sprawl. But regardless of the length of the poem, one must still learn how to deal with nonlinear time in a way that mitigates the possibility of a confused reader. We experience time in a single dimension (past to present), but the way we think about time is multi-dimensional. It includes past, present, future, and possible divergences from a single outcome.
I set out in search of poems that dealt with the issue of multiple moments (past, present, future, and possible). Continue reading “Craft Annotation: Nonlinear Time and Poetic Structure”
brilliant red tree buds
bobbing in the April wind
lift my spirits up
As I discussed in my craft annotation on Rilke, modern poetry favors a particular aesthetic quite the opposite of the era preceding it. The rise of the Imagist movement in the early 20th century heralds this shift. As the name implies, the movement was toward concrete, visceral imagery and away from sentimentality and meditations on abstract concepts such as love or death – or if the poem is a meditation on love or death, it’s never explicitly named as such. In the preface to the 1915 anthology Some Imagists Poets, the school listed some of its common principles. These two in particular stood out for me:
- To present an image (hence the name: “Imagist”). We are not a school of painters, but we believe that poetry should render particulars exactly and not deal in vague generalities, however magnificent and sonorous. It is for this reason that we oppose the cosmic poet, who seems to us to shirk the real difficulties of his art.
- To produce poetry that is hard and clear, never blurred or indefinite. [i]
William Carlos Williams explores this principle in his long poem “Paterson,” Continue reading “Craft Annotation: Szymborska, Imagery, and Abstraction”
National Poetry Month lives up to its name with a boatload of readings in Boston and environs. Special shout-outs:
Martha Collins and Joan Houlihan in Newton (4/3)
Kazim Ali and Stephanie Burt in Cambridge (4/4)
Robbie Gamble and Helen Marie Casey in Newton (4/6)
Marge Piercy in Boston (4/7)
Louise Glück in Cambridge (4/12)
Anne Waldman and Meredith Monk in Providence, RI (4/13)
Gloria Mindock, Lori Desrosiers, and Dorothy Shubow Nelson in Somerville (4/14)
Layli Long Soldier in Providence, RI (4/26)
Tracy K. Smith in Providence, RI (4/27)
Lyn Hejinian in Cambridge (5/22)
Thanks as always to Daniel Bouchard (reading Saturday, May 12 at the MIT Press Bookstore) for compiling these listings.
Monday, April 2, 12 pm
Common Room, CSWR
42 Francis Ave.
Harvard Divinity School
Monday, April 2, 2 pm
Federal Building — Assembly Room
Middlesex Community College
50 Kearney Square
Monday, April 2, 7 pm
Catherine Stearns and Nate Klug
Book launch, reading, and reception
10 Langley Rd
Monday, April 2, 8 pm
Gabrielle Calvocoressi and Gabriel Fried
Blacksmith House Poetry Series
56 Brattle Street
Continue reading “Boston Area Poetry Readings for April and May 2018”
Read on for the cover letter to the final packet of my first semester at the Lesley MFA program, written to my teacher Sharon Bryan. The cover letter of a packet is meant to be a meditation on your writing and study process over the course of the previous month — a sort of “making of” the finished work that accompanies it:
How strange to think that this is the last packet I will be sending you. The semester has gone by so quickly. I was really worried about being able to finish all the work on time, but it turned out to be possible after all. About halfway through each packet I would get incredibly anxious. I worried that I wouldn’t be able to finish the work on time, and that what I sent wouldn’t be good enough. It’s natural to want to get the most out of a degree program as possible, but it’s also important not to let the perfect get in the way of the good. The fact that the course work is pass/fail helps, but ultimately it’s a question of whether I think I am doing the best that I can. Continue reading “Dispatches from an MFA: Semester One, Final Packet”
When I first picked up Heather McHugh’s work[i], I delighted in her witty use of language – the way she was able to pick out a word’s multiple meanings in the course of tightly musical and lyrical verse. Some examples:
I don’t move
but the grass in the window
does an utter
The dog pauses before the fire,
weight, can’t make
light of it, lies
By themselves, these puns and surprising twists of language might suffice, but McHugh combines this wordplay with an unerring attention to the sound and rhythm of her lines as well. Continue reading “Heather McHugh’s Poetic Music”