Hello, I Am Still Queer

Photograph of a rainbow flag waving in the breeze

In honor of National Coming Out Day, I present below an essay I first published on my site about 20 years ago. Sexuality and identity run on a spectrum. Today I tend to identify as a queer femme. I like the word queer because it is all-encompassing, placing me in solidarity not only with socially-acceptable gay, lesbian, and bisexual monogamous couples, but with all the rest of us: gender rebels, transfolks, bisexuals, straight supporters, heteroflexibles, kinksters, and others with complicated identities. We all deserve a place in the world and we all have something to contribute.

Because I present visually as gender-typical and my partner is a man, my queer identity is largely invisible today. It doesn’t change the fact that I feel passionately about issues of gender equality in all its forms, and about the ways that gender issues intersect with issues of race, national origin, class, and disability. I’m proud of the way that the queer liberation movement has evolved over the last couple of decades, not only in terms of legal protections for same-sex couples, but also for the new awareness and advocacy for trans folks and for femmes of all genders.

On the Definition of a Lesbian Continue reading “Hello, I Am Still Queer”

Interview with Poet Lesley Wheeler, Author of Radioland

Photograph of poet Lesley Wheeler

A much-decorated poet and academic, Lesley Wheeler’s accolades include a Fulbright scholarship, an NEH grant, the Barrow Street Poetry Prize, the James Tiptree, Jr. Award Honor List, and publication in many prestigious journals, including Poetry and Slate. She teaches English at Washington and Lee University and is an active member of the WOM-PO Listserv, an email discussion group for women poets that’s been around since before blogging and social media overtook online community platforms like Listservs. Her third book of poetry, Radioland, came out in October 2015. In spite of her rise to fame in recent years, Lesley remains a warm and generous correspondent. She took the time to answer some questions about her latest book, the po-biz, and the difference between writing and publishing.

Cover image of Lesley Wheeler's third book of poetry, Radioland
Radioland, Lesley Wheeler’s third book of poetry

You’ve gotten a lot of recognition for your work in the past few years. How have these changes in your career affected your writing?

It’s funny how happiness works—successes don’t warm you for long but difficulties worry you constantly. The life change came with my first two books, Heathen in 2009 and Heterotopia in 2010. Suddenly I felt able to call myself a poet. After the Barrow Street Press Poetry Prize, people seemed to take my work more seriously. The judge, David Wojahn, is highly respected by other writers, and that made a difference. “Fulbright” is a magic word—as well as representing an amazing opportunity—but I won that for scholarly, not poetic, research. My scholarly credentials remain fancier than my poetic ones and the two networks have surprisingly little overlap. In fact, having a foot in both worlds invites suspicion from both sides.

Continue reading “Interview with Poet Lesley Wheeler, Author of Radioland”

Trigger Warning: Jesus is Lord, Francis is Pope

Pope Francis’s recent visit to the United States raised a lot of complicated feelings for me. On the one hand, I’m glad he walks the walk of his namesake. In the other hand, it’s far too little and far too late; nothing he does or says in his tenure as Pope is likely to repair the damage of my Catholic upbringing. Continue reading “Trigger Warning: Jesus is Lord, Francis is Pope”

Interview with Carolina de Robertis, author of The Gods of Tango

In her new book The Gods of Tango, bestselling author Carolina de Robertis weaves together a story addressing the issues of race, class, immigration, and sexuality as beautifully as the tango weaves together the music of Argentina’s many immigrant communities. In language musical and brutal by turns, de Robertis tells the story of Leda, a young Italian immigrant who passes as a man in order to pursue her dream of becoming a tango musician. Along the way, we learn the back stories of many other characters and the obstacles they overcome — or fail to overcome — as their lives intersect with Leda’s. de Robertis took some time out of her busy schedule to talk with me about her work.

Image of a woman with long hair and red lipstick wearing a red sleeveless shirt.
Carolina de Robertis, author of The Gods of Tango

What inspired you to write this book and what sort of research did you need to do to write it?

I began with the seed of my own great-grandmother’s immigration experience, from Italy to Argentina. I quickly saw, however, that from that seed I wanted to grow a much larger story, not only about the great migration of that time to South America, but also about the rich cultural history of the tango’s origins, and about female transgression into an underworld of men.

I did a huge amount of research. I scoured libraries and bookstores, read piles of books in English, Spanish and Italian (badly), walked the streets of Buenos Aires and Montevideo and Naples and my ancestral village in Italy, took tango dance lessons and violin lessons, and consulted with all sorts of experts, from musicologists and musicians to friends on the transgender spectrum. Continue reading “Interview with Carolina de Robertis, author of The Gods of Tango”

Interview with Alexandra Delancey, Author of Lesbian Romance Always Her

Always Her, by Alexandra Delancy
Always Her, by Alexandra Delancy

Alexandra Delancey’s novellas Always Her and Me and Her chronicle the love story between newly-out Elise and ultra-cool tomboy Jack. I caught up with Alexandra recently to talk with her about her characters, her craft, and the business of publishing in the age of e-books.

Your characters are well-drawn and idiosyncratic, especially some of the more minor ones like Tatiana, Christie, and Alyssa. How did your own experience of the lesbian scene inform these characters?
That’s really nice to hear. I didn’t base any of them on individual people that I know, but I wanted to reflect the experience of being in your early twenties and being gay, or thinking that you might be gay, and the insecurities and preconceptions that sometimes accompany it. I spent my twenties discovering the lesbian scenes of several countries, and they all have their own norms and cliques. They can be frustrating at times, but they’re a lot of fun too. What I’ve always loved about the scene is that it gives you an opportunity to meet a much broader cross section of people than you otherwise might, so I tried to make my characters diverse in order to reflect that.

Tell me more about how the characters of Jack and Elise evolved.
I like writing tomboyish characters. Continue reading “Interview with Alexandra Delancey, Author of Lesbian Romance Always Her”

Review of Lesbian Romance Always Her, by Alexandra Delancy

Always Her, by Alexandra Delancy
Always Her, by Alexandra Delancy

In the new romance Always Her, Alexandra Delancey does an excellent job of evoking the angst and drama of the college lesbian scene. While I don’t necessarily agree with the identity politics of the characters, they do ring true for their milieu. Jack is that elusive object of lesbian desire: the cool butch who tends bar and had led a charmed life free of homophobia. Elise is the perfect wish fulfillment for every dyke who’s ever loved a straight girl: blonde-haired, shy, sweet, and only newly come to terms with her sexuality. The novella does a great job of building tension between the two to the final sex scene, which is most definitely a one-handed read.

Continue reading “Review of Lesbian Romance Always Her, by Alexandra Delancy”

Was Terry Pratchett a Feminist?

Photograph of author Terry Pratchett at a book signing, courtesy of Myrmi via Wikimedia Commons

Terry Pratchett is one of the most prolific authors of our age. When he died yesterday (March 12, 2015) he left behind a massive oeuvre: more than 70 books, most of them about the Discworld, a flat planet carried on the back of four elephants who themselves stand back of the great turtle A’Tuin as it swims through space.

About a month ago I began re-reading Pratchett’s Discworld books. As I did so, this question kept roiling around in the back of my mind: Is Terry Pratchett a feminist? Continue reading “Was Terry Pratchett a Feminist?”

Woman-Only Spaces on Gender Focus

Gender Focus recently published an article about woman-only spaces which sprang from controversy surrounding an effort at McGill University to implement woman-only hours at the campus gym. The editors asked me to add a few words about my own experience of woman-only spaces. They appear at the end of the article: http://www.gender-focus.com/2015/03/10/mcgill-women-only-gym-time/

Hanne Blank's Take on National Transgender Day of Remembrance

Today (November 20) is Transgender Day of Remembrance. Please take a moment to honor those whose lives, health, and safety have been taken from them because of their gender expression. My fellow queer writer Hanne Blank posted something on Facebook today that sums up my feelings about transphobia perfectly. It’s reposted with permission below.

On this Transgender Day of Remembrance I am thinking of those we’ve lost and thinking about the connection between anti-trans violence, misogyny, femmephobia, and, most of all, power.

When people on the transfeminine spectrum are attacked for being trans, a large part of what is going on is that they are being punished for having the audacity to relinquish masculinity and the symbolic power of masculinity while being, or originally being, male-bodied.

This is power and that is supposed to be inherent and inseparable from being male-bodied.

When people on the transmasculine spectrum are attacked for being trans, a large part of what is going on is that they are being punished for having the audacity to claim masculinity and the symbolic power of masculinity while not being, or not originally being, male-bodied.

This is power that it is supposed to be impossible to possess if one is *not* male-bodied.

I am, of course, oversimplifying. Anti-trans violence consists of many things. But I oversimplify to make a point, because anti-trans violence is at root the violence of misogyny and femmephobia.

Anti-trans violence rests, in a fundamental way, on the notion that maleness equals power and femaleness equals lack of power.

The fact that so many people get attacked and killed because their bodies and/or genders and/or gender performances disrupt this equation is one reason that as a feminist, and a cisgendered woman, I care deeply about trans* issues and trans* safety.

Trans* folk are unsafe in this world for exactly the same reasons that I as a cisgendered woman am unsafe in this world: any power I have or exhibit looks like a threat to many people invested in the vast complicated power of patriarchy. It destabilizes what they rightly perceive to be the historical source of their (supposedly innate, rightful, inalienable) power.

I would ask you to think about this today, as you remember the trans*folk who have been attacked and killed as a response to the ways they destabilized the myth of inalienable and inevitable male power.

And I would ask you to think as well why it is that we have no day of remembrance for cisgendered women who are attacked and killed for the same reasons.

If you care about one, it is morally incumbent upon you to care about the other. Because they are, at root, the same thing.

My cisgendered femme feminist solidarity has been with trans*folk from day one because I have always perceived the ways in which we face a common enemy.

With love and deep appreciation I am asking you to consider this, and what it means — or perhaps should mean — for your own expressions of political and cultural and community solidarity around the problems of sex, gender, and power.

(Note: Yes, you may repost/link/etc. if you wish, but please credit me, Hanne Blank)

More about Hanne Blank: