Gratitude List

  1. Fuzzy wool socks for cold feet at night
  2. A 3:1 household ratio of blankets to humans
  3. Cooler weather means the memory foam in our bed doesn’t give me night sweats anymore
  4. We finally paid off the bed
  5. A doctor who reminds me that the symptoms of my illness are not moral failings, that I don’t have to suffer through them in order to be a productive member of society
  6. A job that allows me to work from home AND provides me with office space (now with new, improved window cube!)
  7. Listening to Sharon Salzberg’s audiobook Lovingkindness while taking baths
  8. A partner who loves and accepts me in spite of my flaws
  9. A community of friends who love, accept, and support me in spite of my flaws
  10. It’s finally frickin’ Friday
  11. Getting two more hours of sleep last night after a solid week of insomnia.

 

National Poetry Month in the Year of the Horse

crocus-yam-2014It’s national poetry month again. My website was briefly down because Gmail did such an amazing job of sorting my email for me, I never got the notices reminding me to renew the domain registration for Gardenofwords.com. That was a killer way to start off national poetry month.

I noticed the outage when I was pitching a website redesign to a poet whom I greatly admire. I’m fortunate to be able to pick and choose my clients in a way I wasn’t always able to in the past. As a result, my very short client roster is full of interesting, creative women. This latest client would probably point out that I am an interesting, creative woman myself, to which I respond “pshaw.” It’s nice to have friends who say complimentary things about you. In the Po-Biz, that’s how you get blurbs for the back of your book.

April has been surprisingly un-cruel in the past couple of days, especially given March, February, January, and December, all of whom I want to roll up into a big ball, flatten with a giant rolling pin, dry in the sun, and then fold into lots of sharp corners and stick up the posterior of  this past winter. It’s very easy to forget that things are exponentially better for me today than they were this time last month, and the month before. Just the other morning I forgot about it while packing my lunch. M. and I got into a lively discussion* about his tactical decision to forgo buying lettuce on Monday night rather than buying me non-organic lettuce which I might not eat. It wasn’t about lettuce, of course. It was about my own severe anxiety at having less than $10 in my checking account the day before I got paid. And the very uncomfortable dynamic that develops when two people fall in love and move in together, and then one of them takes a hefty pay cut.

On the plus side, we worked it out, as we always do. I’m continually amazed at M’s ability to handle situations that have baffled me for most of my life. Emotional intelligence comes in all kinds of packages — some of them former infantrymen. Also on the plus side, I’m steadily plugging back up the hill toward a full-time work schedule. Also also on the plus side, I took a walk yesterday afternoon and TOOK OFF MY COAT. And didn’t put it back on once. Which just goes to show you anything is possible.

Spring is late this year, but it’s here. The hills are still grey and brown with bare trees, but the moss has turned bright green and the grass won’t be far behind. Snowdrops have been out for weeks now, lingering in the cool spring air. Crocuses are here, and may even be gone in another week. The daffodils in my back garden have been poking their little green heads up. Ralph chases the squirrels until well past 6:00 pm.

Poetry-wise, I’m doing less and more than I’ve done in years past. Whereas in past years I’ve adhered to a strict regimen of a poem-a-day, I find myself moving more fluidly now. I’m making inroads into new techniques for revision, attempts to cut away the dross and find surprising turns of phrase. A sort of Orb-style remix, but with random poems instead of sound clips.

The bout of illness and the 40th anniversary of my birth made me stop and think about what I’m doing with my life, and if it’s what I want to be doing, and what I can do about all that. When I’m very ill, I will often decide that This One Big Change is what will fix all of my problems. Past experience has taught me that it usually just creates more instability and makes it harder to get back to a baseline. A cursory search of the Intartubes (“year of the horse” plus “horoscope” plus “2014” plus “water ox”) gives me highly scientific** evidence that this is not the year for me to make any sudden changes. In the Year of the Horse, things gallop along. You might find yourself miles from where you started, only to discover you’ve gotten on the wrong horse. For a person born in the year of the water ox (1973), it’s not a good year to be moving and changing. But it is a good year to send out hidden feelers under the earth, gathering information through the mycelium that binds us all together.

The seed inside unfurls with the longer days, reaching toward the light. I watch it, worry, pray it won’t be killed in an early frost. April is cruel in a different way every year. I am curious to know its cruelty this year, in the year of the horse. Maybe there will be a kindness to its cruelty, as I slog and toil and trudge into something warmer, something sunny, something else.

 

*which our neighbor could hear through the walls, no doubt

** and by “scientific,” I mean the opposite, of course

Old Clients Are Like Gold

I’ve got only one or two clients left from my bad old days of self employment. It’s such a joy to work with people I’ve chosen. I’m helping Liz Anker put up her new WordPress site. It’s still in progress, but I think it’s pretty cool. Today we worked on this page.

Butcher, Baker, Candlestick Maker: Okelle’s Career Path

A gentleman I’ve never met but would like to some day asked on Facebook, “What was your strangest job?”

It wasn’t my strangest job, but my most memorable and also my first real-paycheck job: ushering for the Palace Theater in Stamford, Connecticut. The pay was crap — some people actually just volunteered in exchange for watching the shows — but its rewards have stayed with me through the decades. I saw Ella Fitzgerald (twice), Chuck Berry, Herbie Hancock, Art Blakey and the Jazz Messengers, George Carlin, and countless plays, operas, ballets, and symphonies. And I didn’t appreciate it a bit. Well — maybe a little bit. God knows I do now.

Continue reading “Butcher, Baker, Candlestick Maker: Okelle’s Career Path”

Yin Work (From Treehouse Chronicles)

“If someone climbs quietly up to the treehouse and peeks at me through the window while I’m working, they may think I’m merely taking a nap. This is a part of the work of solitude, part of being with me. Thinking, considering, observing, pondering–these are the tools of my trade and occasionally they have to be wielded lying down with my cap pulled over my eyes.”
— Peter Lewis, Treehouse Chronicles: One Man’s Dream of a Life Aloft. See the treehouse

The Work, the Meaningful Work

I haven’t been writing as much poetry. In January, I had a flood of it. And then, gone.

The work, the meaningful work. When I am not writing, I worry. It feels as though a part of me is missing. I know that the idea of the muse–well, it’s true. The muse is there. Especially with poetry. With other kinds of writing, other kinds of writing, you can force yourself, you can sit yourself down in small increments, sweat it out, give yourself small rewards for small steps forward.

But poetry isn’t like that for me. It comes or it doesn’t.

There is more, of course, to the meaningful work than simply the generative act. There is the revision. The compilation. The submission. Hah. Submission is not something I am good at. But it must be done. Dancing Girl Press is taking submissions through the summer. I should submit. To some women in Chicago whom I’ve never met, but whose work I admire.

I am afraid of being told no, of course.

I’d rather wallow in my fantasies of the perfect collection of my work than do the real work, the meaningful work, of tightening it, revising it.

Writing is hard work. And not rewarded as lavishly as some other kinds of work.

But you don’t write for the rewards. Or, rather, I can’t. I write because there is a thing inside of me that needs to get free. I write because the gift goes sour if I don’t pass it on.