Rushing between off-site meetings, I carve out some time to sit and eat lunch in the lobby of one of the hospitals in the Longwood Medical Area. There’s a huge family at the table next to mine that has an entire catering setup — I guess to feed everyone who’s come down to support their loved one. They take up four tables and are eating delicious-looking Indian cuisine, speaking in what may be Hindi or one of India’s many other languages.
Seeing them makes me think about frugality, and how it requires you to stop worrying about what other people think of you, and about what it means to live in a multicultural society, and about how diversity is hard because humans are hard-wired to fear the Other, and also about what it means for me to live so far away from the support system of an extended family. I’m lucky to have a huge constellation of family-by-choice, and friends, and kindred spirits — I know more wonderful people than I can possibly have deep friendships with. But the bond of shared DNA runs deep, even with the low-level irritation that can develop among grown-up relatives. When I’m in the hospital, it’s my family that comes to visit me. And if they’re not related to me, I begin to understand who truly is my family of choice.
For better or for worse, that’s my life: to be a stranger in a strange land, even when it’s one I’ve lived in for years. Writers and artists often live at the edge of society. It’s what gives us the perspective and the fearlessness to speak our own truths about what we see. I’m most comfortable on the edges of things, observing the swirl and color of human existence — I see things that I wouldn’t if I were at the center of my own drama.
And perhaps it’s why I need the company of plants and animals to recharge myself. They speak a quieter language free of the body-mind duality that plagues humanity.